Zero
waste, lower transport costs and recyclable materials – is 3D-printing
the future of housebuilding? Dutch architects are putting the process to
the test for the first time in Amsterdam
3D-printed house … The future of volume
house-building, or a novelty technology for temporary pavilions?
Photograph: Peter Dejong/ASSOCIATED PRESS
Treacle-black plastic oozes from a
nozzle at the bottom of a small tower in Amsterdam, depositing layer
upon layer of glistening black worms in an orderly grid. With a knot
of pipes and wires rising up to a big hopper, it looks like a
high-tech liquorice production line. But this could be the future of
house-building, if Dus Architects have their way.
On this small canal-side plot in the
north of the city, dotted with twisting plastic columns and strange
zig-zag building blocks, the architects have begun making what they
say will be the world's first 3D-printed house.
“The
building industry is one of the most polluting and inefficient
industries out there,” says Hedwig Heinsman of Dus. “With
3D-printing, there is zero waste, reduced transportation costs, and
everything can be melted down and recycled. This could revolutionise
how we make our cities.”
Working on site
for three weeks, the architects have so far produced a 3m-high
sample corner of their future house, printed as a single piece
weighing 180kg. It is one of the building blocks that will be stacked
up like Lego bricks over the next three years to form a 13-room
complex, modelled on a traditional Dutch gabled canal house, but with
hand-laid bricks replaced by a faceted plastic facade, scripted by
computer software.
At the centre of
the process is the KamerMaker, or Room Builder, a scaled-up version
of an open-source home 3D-printer, developed with Dutch firm
Ultimaker. It uses the same principle of
extruding layers of molten plastic, only enlarged about 10 times,
from printing desktop trinkets to chunks of buildings up to
2x2x3.5m high.
For a machine-made
material, the samples have an intriguingly hand-made finish. In
places, it looks like bunches of black spaghetti. There are lumps and bumps, knots and wiggles, seams
where the print head appears to have paused or slipped, spurting out
more black goo than expected.
“We're still
perfecting the technology,” says Heinsman. The current material is
a bio-plastic mix, usually used as an industrial adhesive, containing
75% plant oil and reinforced with microfibres. They have also
produced tests with a translucent plastic and a wood fibre mix, like
a liquid form of MDF that can later be sawn and sanded. “We will
continue to test over the next three years, as the technology
evolves,” she says. “With a second nozzle, you could print
multiple materials simultaneously, with structure and insulation side
by side.”
For now, these
plastic blocks, which are printed with a honeycomb lattice within for
reinforcement, are back-filled with lightweight concrete, for
structural strength and insulation – which would make recycling the
parts somewhat difficult.
“It's an
experiment,” says Heinsman. “We called it the room maker, but
it's also a conversation maker.” Over 2,000 people have already
visited the site, from building contractors to coach-loads of
architecture students, while even Barack Obama was shown the
prototypes when he was in Amsterdam last week.
“This is only
the beginning, but there could be endless possibilities, from
printing functional solutions locally in slums and disaster areas, to
high-end hotel rooms that are individually customised and printed in
marble dust.” Countour crafting … Researchers at the
University of Southern California have been developing a technology that
'prints' quick-setting concrete from a computer controlled gantry.
Photograph: Contour Crafting
While Dus may be
the first architects to start printing a full-scale house, they join
a number of others who have been experimenting with printing at an
architectural scale over the last few years. Since 2008, researchers
at the University of Southern California have been developing a
technology, known as contour crafting, that uses a computer-controlled gantry to print structures in
quick-setting concrete, which they say is potentially capable of
printing high-rise buildings, with the printer climbing the structure
as it grows. Another Dutch architect,
Janjaap
Ruijssenaars, is working on a project to print a house shaped like a
looping Mobius strip with the Italian-made D-Shape printer, which uses sand mixed with a binding agent to create a form of
synthetic sandstone. So far, only a small pavilion-sized structure
has been printed. This looks to be where the technology will remain
for the time being: temporary novelty structures for exhibitions and
events.
“One
of my fantasies is printing in biodegradable materials
for festivals,” says Heinsman. “You could print an outrageous
tent structure, then after a couple of years and few rain showers it
disappears.”
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